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Snitchery’s San Diego Comic-Con Cosplay Is Somehow Both Silly and Glam

allure.com

Snitchery’s San Diego Comic-Con Cosplay Is Somehow Both Silly and Glam

One week before San Diego Comic-Con, Eleanor Barnes, known as Snitchery on social media, still hadn’t decided on her cosplay for the first day of the convention. She was torn between two ideas: the Ice King from the animated TV show, Adventure Time, or Charlie the Unicorn from the 2005 YouTube series of shorts. Would she twirl in a cobalt blue gown or wear a prosthetic horse muzzle on the convention floor? “Honestly, that's cosplay,” she said of her unconfirmed plans.

For Barnes, it always comes together. The proof is in her social media posts. The content creator has amassed over five million followers across platforms for her dramatic and fantastical transformations, as well as glimpses into her “closet cosplay” (the craft of creating costumes with everyday items). A video of her creating a Shai-Hulud (the giant sandworm from the Dune films) by spray-painting a children’s pop-up crawl tunnel had her followers applauding her ingenuity. “You just made it look like the easiest cosplay,” said one user. “This was insanely impressive,” fellow cosplayer Kiera Please commented.

Barnes has enjoyed dressing up in costume since she was a child. “I’ve always loved Halloween,” she says. “As a preteen, I started seeing convention footage [on Tumblr], and I was like, ‘What the hell? People are doing Halloween all yearlong.’”

Cosplay to Barnes is something everyone should feel comfortable doing, no matter how skilled you are in arts and crafts. “I immediately fell in love with it,” she says, adding that she remembers being intimidated when she first considered dabbling in the space. “I saw these super labor-intensive costumes, and while it was something that I really admired, I thought it was inaccessible to me because I didn't know how to sew,” she says.

Still, Barnes encourages people to give cosplay a try, explaining that what makes dressing up as a character you love worth it is the community that comes with it. “It’s the least judgemental community,” she says. “It’s really about having fun, healing your inner child, and openly being dorky and in love with shit.”

After years of honing her craft, Barnes has become more comfortable sewing, taping, and gluing materials she finds at home and at costume shops. You’ll notice her looks aren’t precise re-creations of characters you might see onscreen. That’s intentional. “My style is a little chaotic and unhinged and imperfect,” she says. “I work pretty fast, faster than people think because I'm not 3D printing.”

Seven days of building both the Ice King and Charlie the Unicorn costumes with much trial and error have culminated in her decision to go as the Ice King for the first day of San Diego Comic-Con. This is the fourth time Barnes has dressed up as an Adventure Time character. She’s transformed herself into Princess Bubblegum, Lumpy Space Princess, and Marceline the Vampire Queen. Beyond loving the TV show, Barnes says she enjoys playing the characters because of their “outlandish” proportions: “Ice King has a very unique build that I can totally see being very funny to waddle around the convention in.”

First, it’s making sure she gets the finer details right. “I don’t want it to look like I'm just a blue guy in a robe with a crown,” she says, adding that the details like his mouth and crown “have to be done right.” She created the mouth out of cardboard and modeling clay, which is attached to the back of her beard with Velcro. The crown is made from foam with jewels of glittery construction paper.

Next is the Ice King’s large, bell jar silhouette. To create the body of her costume, Barnes draped a blue cloak over a large hoop skirt. She also had to consider the character’s hair, which takes up most of the front of his body. “He’s like one big beard,” she says, explaining that she used white fur-lined fabric (pulled from an older costume) to create the hair on the Ice King’s head and face. Then, she anchored them to the top of her head beneath the crown and her mouthpiece.

After that, she puts on her makeup, which she says is character-accurate, with a “hot-girl twist.”

“We're still going to go glam from the nose up,” says Barnes. “Everything else will just be a ridiculous old man, but I will get a couple of inches of like, ‘Ooh, there’s a baddie.’”

After prepping her face with Glow Recipe Watermelon Peptide Moisturizer (to create a hydrated base) and Kopher Curepair Solution (to hydrate and help her skin “not get so sensitive from the airbrush paint and remover”), she used an airbrush to evenly apply Hybrid Pro Aiir Airbrush Colors in Electric Blue to the upper three-fourths of her face. Once the blue paint dried, she applied shades from the Kryolan Coloring Vision Palette in Vivid on her eyes, One/Size by Patrick Starrr Cheek Clapper 3D Blush Trio Palette onto her cheeks, and added Ardell 213 Lashes.

Putting on makeup in a hotel room is one thing. Keeping it on while walking a convention floor at the peak of summer is another task she must prepare for. “Tell me why conventions are in the summer,” Barnes says, joking. “Someone is literally praying for our downfall.” That’s why she sets her entire look with Mehron Colorset Setting Powder and a light spritz of the One/Size Powder Melt Spray. The products ensure everything stays in place and looks fresh at the crowded venue.

Barnes says she doesn’t stay on the convention floor for more than a few hours at a time, returning to her hotel room when she needs a break or a touch-up, though the latter isn’t a big priority for her. “When it's 3 p.m. [at a convention], and everyone's been there since the morning, we all look a little ragged,” she says. “There's an understanding that you're creasing under the eyes. I'll do touch-ups when I can, but there's definitely a bit of acceptance there.”

When she was finally ready to take everything off, Barnes returned to her hotel. She relies on Garnier Micellar Water and dish soap. “Dish soap has been the most helpful in dissolving the airbrush,” she says. “It’s a bit of a challenge,” but one she finds worthwhile after a long day of dressing up and being in character.

After all, “Adults don’t get to play,” she says. “We really are bogged down by all the responsibilities that come with being an adult in a very scary world. I want to use my free time to allow myself to be silly even as a 30-year-old because the world's not going to give it to you.”

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